Sunday, February 21, 2010

The Importance of Blues Roots to Alanology

In order to understand the music of Alan “Blind Owl” Wilson, we must look to the roots of his work with Canned Heat. Songs such as “Going Up the Country” and “On the Road Again” were based in early rural blues, and Wilson’s harmonica work was inspired by the work of Chicago master Little Walter, whose sound graced much of Muddy Waters’ classic-era work.

Wilson
biographer Rebecca Davis Winters says, “All serious Alanologists will want to hear the artists Alan liked best. These include Charley Patton, Son House, Skip James, Geechie Wiley, and on harmonica Little Walter and Junior Wells (though Alan was critical of Junior’s singing, he liked his harp playing).”

Specific Canned Heat songs can be traced to rural blues recordings. “Bullfrog Blues”, for example, was first recorded by William Harris in 1928. “Big Road Blues” was associated with Tommy Johnson, Sterno addict whose 1928 work also gave Canned Heat their name. “Rollin’ and Tumblin’” was based on a 1929 Hambone Willie Newbern record. “Going Up the Country”, of course, was based on a 1929 Henry “Ragtime Texas” Thomas record in which Thomas accompanied himself on guitar and panpipes. The list goes on, and on, throughout Canned Heat’s catalog. They stood out from their contemporaries with their skilled incorporation of these early blues influences – and thorough understanding of their sources.

Where does one start an exploration of early blues? Rebecca Davis Winters recommends certain books such as Deep Blues by Robert Palmer, and for those who are really fascinated, Big Road Blues by David Evans (an old friend and musical colleague of Alan) is one of the ultimate blues scholarship works.

In terms of listening, the Document record label is a great resource to help build a pre-WWII blues collection. Yazoo has also released a number of excellent items. There is also a specific collection that Rebecca Davis Winters now recommends: The Roots of Canned Heat, released by the UK label Catfish.

To learn about some of the most significant influences on Canned Heat’s extant classic-era work, Roots of Canned Heat is an excellent starting point. It provides an overview of specific songs used as sources by the band. To dig deeper, you can then seek out more works by the individual artists represented here. These include all the luminaries such as Charley Patton, Skip James, Tommy Johnson, and even the obscure such as Barefoot Bill.

A little web research left Alanologists uncertain whether Catfish Records is still in business. However, the CD is still available through Amazon.com. Rebecca Davis Winters says, “Thanks to Alanologist Sean Kaye-Smith, who sent me this excellent CD; his kindness and constant Alanological diligence is deeply appreciated.”

Wednesday, February 17, 2010

Alan Wilson, Blind Owl and Tree Man

Alan Wilson is known as the "Blind Owl" of Canned Heat. However, history has mostly forgotten that he was also known as "Tree Man". This nickname was recorded in a few pop journals of the time during interviews with the band. It of course derives from Alan's deep and abiding love for trees, plants, and other green denizens of the natural world.

While this clipping is from a foreign magazine, and is sadly not intact, it informs us that Al Wilson "is also known as Tree Man".

Saturday, February 6, 2010

The Weirdest Alan Links Ever?

Here are a couple of web pages with content about Alan “Blind Owl” Wilson. Alanologist Rebecca Davis Winters calls these items “among the strangest Wilson-related writings I’ve seen lately”.


This page features writing by one Salvador Astucia. He offers a unique theory on Alan’s death, hinting that foul play could be read into the situation given the detail – or lack thereof – offered by drummer Fito de la Parra in his Canned Heat memoir Living the Blues. He attempts to analyze the stories that have been told of Alan’s death scene; however, his analysis is hindered by his lack of real knowledge of the band members and their lives.


In general, Astucia’s website appears to be a front for anti-Semitic drivel. Davis Winters says, “This person’s writing is so bad that I cannot bring myself to read much of it. What I have seen seems to have one primary point, and that is to propagate political paranoia and propaganda regarding former President Kennedy and the country Israel. It is interesting that he feels Alan’s death is part of some political plot, but I don’t think his particular theory holds much water. Admittedly, my own findings indicate that there is far more to Alan’s death than mainstream pop history had recorded prior to the publication of Blind Owl Blues. However, I don’t think that politics, JFK or Israel has anything to do with it.”


This page, then, is not endorsed or particularly recommended by leading Alanologists. However, it’s best to know what is being written about Our Hero; therefore we present the link so that individual Alan-fans can consider the matter for themselves.


http://www.jfkmontreal.com/john_lennon/Chapter12.htm


We also have found a blog entitled “Follow the Money”. This author presents a somewhat different conspiracy theory centering around deaths of Laurel Canyon residents.


http://seeker401.wordpress.com/2010/01/04/laurel-canyon-part-3/


This author’s ultimate conclusion, if any, is obscure and as with most extremists, the writing is hard to read as it rambles on somewhat. However, it is again best for Alanologists to familiarize themselves with this material, since it is “out there” for public consumption.


Neither of these pages are particularly enlightening. However, they do signify one important fact, and that is that Alan Wilson’s death was too easily “written off” as a suicide. Leading Alanologists know that it’s time for the facts of the matter to be told.


To start understanding what really happened on the night the Blind Owl died, go to blindowlbio.com and get your copy of Blind Owl Blues today. There, you can read the autopsy and police report, along with verbal accounts from those who encountered Alan just before his last walk up the hill in Bob Hite’s backyard… along with, equally important, the reality of Alan’s life and mental state and his interactions with fellow members of Canned Heat. Alanologists, don’t listen to the shrieks and brays of extremists… get the facts and come to your own conclusions.