Showing posts with label reviews. Show all posts
Showing posts with label reviews. Show all posts

Sunday, March 7, 2010

Extant Alan Wilson-sung recordings: The Ash Grove 1967, Part 1

This exciting new Alanological series will discuss and analyze all extant Alan Wilson-sung recordings, recorded both solo and with Canned Heat. These include some items that might not be available commercially at this time. When available, dates will be given for songs, but they will not necessarily be analyzed in chronological order. Songs including vocals by both Wilson and Bob Hite will also be discussed.


In this installment, Wilson biographer Rebecca Davis Winters summarizes several recordings from the Ash Grove club in Los Angeles, 1967.


GOT MY MOJO WORKIN’

Recorded live at the Ash Grove club, Los Angeles, CA January 14, 1967

Not available commercially in the US


This song, associated with Muddy Waters and performed in his Chicago blues style, features Alan doing some intense harmonica playing including exciting upper-register runs. Bob Hite sings lead, with Alan providing backup vocals.


It can probably be safely said that Alan’s voice is heard to best effect when he sings lead vocals instead of providing backup for Hite on this kind of item; however, the song is interesting to hear just because it is so different. A similar kind of vocal interplay would eventually be recorded as “Boogie Music”, but this approach eventually would seem to have been phased out of the bands’ repertoire.


YOU’RE SO FINE

Recorded live at the Ash Grove club, Los Angeles, CA January 14, 1967

Not available commercially in the US


Unfortunately, only a portion of this Little Walter cover tune survives. The tape begins a verse or two into the song. However, what we have is well worth listening to and contains some of Alan’s most intriguing and evocative recorded singing. His range varies throughout, mostly in a true falsetto not heard on extant records, but sometimes dipping down into the high tenor range most fans are accustomed to hearing on his hit songs.


It is also unfortunate that the audio quality is so poor on this series of live tapes. The vocals and harmonica almost completely drown out the rest of the band. Tapes as preserved contain one channel and it seems likely that the other channel – possibly containing lead guitar and rhythm section – exists on a separate tape and has yet to be unearthed.


DEALING WITH THE DEVIL

Recorded live at the Ash Grove club, Los Angeles, CA January 14, 1967

Not available commercially in the US


This item is in the same vein as “Got My Mojo Workin’”, in Canned Heat’s repertoire at the same time. Bob Hite sings lead; Wilson provides backup and plays harmonica.


Much like “Mojo”, this is interesting if not the idea setting for Alan’s pure vocal tone, and the harmonica work is nice.


61 HIGHWAY (fragment)

Recorded live at the Ash Grove club, Los Angeles, CA January 14, 1967

Not available commercially in the US


It is most unfortunate that this traditional item is recorded only in part. Only the first few verses, with Alan singing lead vocals and playing harmonica, are recorded. It is done in an uptempo style and features his high tenor style, sounding very confident overall.

Thursday, June 25, 2009

A Brief Review of the Alan "Blind Owl" Wilson Biography - By Dan Todd

For the discerning blues listener, no post-war figure has remained more shrouded in mystery and intrigue than Alan C. Wilson, inspiration and founding member of Canned Heat. The “Blind Owl’s” untimely death in 1970 left this seminal group without its signature voice, the voice of a lonely and powerful mind, heart, and soul. His introspective, absolutely original and creative modern blues drive and contributions have inspired musicians, young and old, blues and non-blues, for the 35 years since his passing. “Legendary” is not too strong a word, and the truth behind the legend can now be known. At last.

Rebecca Davis Winters cannot be congratulated enough for her ten-years-in-the-making research and documentation project, uncovering the full story of Al’s childhood, contributions to blues music and scholarship, and personal struggle to create true art in modern America. Her exhaustive research and clear and calm narrative voice can be experienced fully in her most recent book, Blind Owl Blues, (2007) now available through her website at
http://blindowlbio.com.

Anyone interested in blues, unique musical expression, and the hardships necessarily endured by original creative artistic hearts and minds will find this book an indispensable addition to his or her collection. Blues is the true story told truthfully – do yourself a favor. Go out of your way to get this book!

- Dan Todd